Jack Raskovich
Jack is an aspiring filmmaker based in Chicago who writes about films at Feature First.
Osgood Perkins’ follow-up to last year’s smash hit, Longlegs, is finally being released. The question is: Will audiences respond as strongly as they did last year to Oz’s monkey business?
Brady Corbet’s 215-minute long epic, The Brutalist, has been one of this year’s highest-praised films, and for good reason. Its daunting runtime flies by, instantly locking you in from frame one to the intermission, only to suck you back into its horrific portrayal of the “American Dream.”
15 years after his last feature film, Mary & Max, Oscar-winning Australian stop-motion legend, Adam Elliot, has returned with London Film Festival Top Prize winner, Memoir of a Snail—a beautifully animated, heartbreaking, and uplifting tale of a woman’s life.
Edward Berger’s adaptation of the novel, Conclave, by Robert Harris, is an amazing political thriller with plenty of humor and touching moments.
The third and final entry of Pablo Larraín’s Historical Women Trilogy, Maria, is a disappointing conclusion to a mostly inspired series.
With Neon being on a hot streak lately, it only makes sense for their studio to team up with indie darling Sean Baker. Read our Anora review.
Terrifier 3 has taken the series to new heights of success, after it was #1 at the US box office this weekend. Read our Terrifier 3 review.
After nearly 50 years of conceptualizing this insane experience, Megalopolis has finally been released in theaters.
Megan Park’s second feature, My Old Ass, is a hilarious and touching romantic comedy about appreciating everything growing up has to offer.
Grammy Award Winner Brandy Norwood encounters a different type of “Grammy” in The Front Room, a gross-out duel for a man-child’s love.
Burton has done the unexpected and made a sequel to one of his iconic films, with 2024's Beetlejuice Beetlejuice, starring Michael Keaton.